2022

New York Art Conservation Team

INTERVIEW

Voces: NY Art Conservation HITN TV

Voces: Mes Nacional de la Herencia Hispana

2021

Delia Müller-Wüsten

Co-Editor/Co-Organizer

Journal of the American Institute for Conservation, Special Issue: Contemporary Art Conservation

Volume 60, Issue 2-3

2020

Christine Fröhner

Lecture

Working with Living Artists: Frank Stella – a Look behind the Scenes

Winterthur/UD Program in Art Conservation University of Delaware, Winterthur, DE

Sara Cadiñanos

Interview

Estudio I Santi Moix, La Búsqueda de «El Momento»

Ars Magazine, Issue 46

Giuliana Moretto

Co-Lecture

The Conservation of Contemporary Art in Private Practice

Emerging Professionals Program Glenstone Museum, Potomac, MD

2019

Giuliana Moretto & Delia Müller-Wüsten

Workshop

Scratch Removal and Polishing Treatments for High-Gloss Plastic Surfaces

Die Neue Sammlung - The Design Museum, Munich, Germany

Giuliana Moretto & Delia Müller-Wüsten

Article

Modern Materials: Not Our Fault, but Our Problem. Reflections on the development of conservation treatments in private practice.

Munich, German

Christine Fröhner

Interview

Artist’s interview with Frank Stella

Stella Studio, New York City, NY

Sara Cadiñanos

Interview

La Colección de I Corice Arman. La Custodia del Legado

Ars Magazine, Issue 43

Christine Fröhner

Co-leader in workshop for local conservation professionals:

Essentials in Cleaning and Inpainting of Modern and Contemporary Paint Surfaces

Getty Conserving Canvas Project Museo de la Solidaridad Salvador Allende, Santiago, Chile

Christine Fröhner

Workshop lecture

Conservation issues and treatment examples on paintings by Frank Stella

Getty Conserving Canvas Project Museo de la Solidaridad Salvador Allende, Santiago, Chile

Christine Fröhner

Public Lecture

What you see is what you see? Frank Stella - Studio Practice, Paint Technique and Conservation

Getty Conserving Canvas Project Museo de la Solidaridad Salvador Allende, Santiago, Chile

Giuliana Moretto & Delia Müller-Wüsten

Co-Organizers

CAN!-Sessions 47th AIC Annual Meeting: New Tools, Techniques, and Tactics in Conservation & Collection Care

Uncasville, CT

2018

Sara Cadiñanos

Interview

“Estudio I Sarah Morris”

Ars Magazine, Issue 39

Giuliana Moretto & Delia Müller-Wüsten

Lecture

Modern Materials: Not Our Fault, But Our Problem, Reflections on the Development of Conservation Treatments in Private Practice

46th AIC Annual Meeting: Material Matters, Houston, TX

Christine Fröhner, Giuliana Moretto, Delia Müller-Wüsten, Sara Cadiñanos

Co-Organizer at Contemporary Conservation Ltd.

BODY OF WORK: Contemporary Artists’ Estates and Conservation

SVA Theatre, New York City, NY

2017

Sara Cadiñanos

Interview

Estudio | Cai Guo-Qiang

Ars Magazine, Issue 36

Giuliana Moretto & Delia Müller-Wüsten

Lecture

Modern Materials: Not Our Fault, But Our Problem

Future Talks: 017 The Silver Edition. Visions. Innovations in Technology and Conservation of the Modern, Die Neue Sammlung – The Design Museum, Munich, Germany

Christine Fröhner

Co-Lecture

The New Role of the Conservator

Winterthur/UD Program in Art Conservation University of Delaware, Winterthur, DE

Giuliana Moretto

Co-Lecture

Matthew Barney: The Use of the Synthetic Polymer Polycaprolactone in his Work

Conservation Center of the Institute of Fine Arts, New York University, New York City, NY

2015

Christine Fröhner, Giuliana Moretto, Delia Müller-Wüsten, Sara Cadiñanos

Co-Organizer at Contemporary Conservation Ltd.

The First Crack: Conservation and Value in Contemporary Art

SVA Theatre, New York City, NY

Giuliana Moretto

Article

Goodyear Field (1996): The versatile synthetic polymer Polycaprolactone used by Matthew Barney.

In: Bechthold, T. (ed.). Future Talks 013. Lectures and Workshops on Technology and Conservation of Modern Materials and Design. Conference postprints, 2015, Munich, Germany

Delia Müller-Wüsten

Article

The Panton Chair made of Luran® S. Can cracks in aged ASA be joined?

In: Bechthold, T. (ed.). Future Talks 013. Lectures and Workshops on Technology and Conservation of Modern Materials and Design. Conference postprints 2015, Munich, Germany

2014

Giuliana Moretto & Delia Müller-Wüsten

Article

Review of Future Talks 013 Lectures and Workshops on Technology and Conservation of Modern Materials and Design

In: ICOM-CC Newsletter Modern Materials - Contemporary Art - Triennium 2011-2014, Newsletter 3

2013

Delia Müller-Wüsten

Lecture

The Panton Chair made of Luran® S. Can cracks in aged ASA be joined?

Future Talks: 013 Lectures and Workshops on Technology and Conservation of Modern Materials and Design Die Neue Sammlung - The Design Museum, Munich, Germany

Giuliana Moretto

Lecture

Goodyear Field (1996): The versatile synthetic polymer Polycaprolactone used by Matthew Barney.

Future Talks: 013 Lectures and Workshops on Technology and Conservation of Modern Materials and Design Die Neue Sammlung - The Design Museum, Munich, Germany

Delia Müller-Wüsten

Article

Art and Motion. The Conservation of the Motor-driven Olympia-Sculpture Designed by Hans-Michael Kissel in 1972

In: Bechthold, T. (ed.). Future Talks 011. Technology and Conservation of Modern Materials in Design Conference postprints, 2013, Munich, Germany

2012

Sara Cadiñanos

Lecture

PRIMI Project: Plastics Research and Innovation for Museums and Industry.

Published at the XIII Conference on Conservation of Contemporary Art, Museo Nacional Centro de Arte Reina Sofía

2011

Delia Müller-Wüsten

Lecture

Art and Motion. The Conservation of the Motor-driven Olympia-Sculpture designed by Hans-Michael Kissel in 1972

Future Talks: 2011 Technology and Conservation of Modern Materials in Design Die Neue Sammlung - The Design Museum Munich, Germany

Delia Müller-Wüsten

Article

An Attempt to handle and present Objects from the Bauhaus Era in a new Way – the Exposure of the original Paint on the ‘ti3d‘ by Marcel Breuer

In: Bechthold, T. (ed.). Future Talks: 009. Conservation of Modern Materials in Applied Arts and Design, Conference postprints, 2011, Munich, Germany

2010

Christine Fröhner

Article

Lake City (1963/64) by Frank Stella - Metallic Copper as a Pigment in Modern Paintings and its Conservation Challenge

In: VDR-Beiträge zur Erhaltung von Kunst- und Kulturgut

2009

Delia Müller-Wüsten

Lecture

An Attempt to handle and present Objects from the Bauhaus Era in a new Way – the Exposure of the Original Paint on the ‘ti3d‘ by Marcel Breuer

Future Talks: 009. Conservation of Modern Materials in Applied Arts and Design Die Neue Sammlung - The Design Museum, Munich, Germany